The Woods Are Dark - Richard Laymon

The Woods Are Dark - A Review of Richard Laymon's Novel

Richard Laymon was a name I came across while researching authors of horror novels. Having not been a great student of the genre, horror novels that is as horror movies I have been a fan of all my life, I must admit I had never heard of Laymon. After reading a few reviews I found a repeated theme; over the top violence and sexual content. Up until this point Stephen King was the only horror writer I had read, and I was looking for horror writers with an established reputation and a decent library of books, Laymon had both, and despite the comments I was reading in regard to his work the presence he appeared to have and his books were described with such distinct uniqueness, I felt compelled to read. I had never really read anything sexual, of any kind so I didn’t really know what to expect, and to be honest I actually disregarded any notion of effect reading sexual content might have on me. Splatterpunk was the subgenre his work is categorised as, and I thought this would be a good break from reading the slow burn style of King. I decided Laymon’s work was a must, I had to experience it for myself. Well, I found myself a collection of 15 use Laymon books online, so I’ve pretty much gone all-in on Laymon. I decided to start on this one as it is one of his earliest, and it was the shortest I had, a good place to start, I think.


Well the story didn’t take long to get into it, to set the scene and get to the meat and potatoes, so to speak. No time was wasted building the characters. You were given enough to know what you needed to know, Laymon almost uses clichés to establish characters, and this works. What is missing from a slow burn style, depth of character development and details of the setting for example, is more than made up with fast paced action. It is during this frenetic action where we get insights into the characters, from their reactions and as they are thrust into extraordinary situations, we see their character come out in the actions they take. It really is a great writing style and a real change for me from Stephen King, I loved it.


The story is set in the backwoods town of Barlow which holds a terrible secret deep in the woods. We follow the course of 3 groups of people who, inevitably, end up meeting and facing their fate in the woods together. The local townspeople of Barlow have a past time that is rather inhospitable towards visitors, and when Neala, Sherri and the Dills family find themselves in town for a short visit, well the visit becomes a little longer than they had anticipated. The townspeople’s attitude towards locals that object to what is going on is not much better, in fact, they are treated with the same contempt. John Robbins finds this out, as he finds himself catching romantic feelings for one of the town’s victims and, while attempting to save her, becomes a target for the very terror he first inflicted, then tried to save the girl from.  The way the 3 plot lines are structured and come together really is very good, there is a lot going on at times and each chapter does flick back and forth between the different characters scenes, but it all comes together nicely.

Richard Laymon

Ok, so I want to address the sexual content of the book. This being my first Laymon novel, and as I stated earlier I was aware of his reputation for the way he uses sexual content in his writing, maybe if I were to read more of his work the “shock and awe” effect would dull down to a normality and I wouldn’t have to mention it. But this is my first time reading Laymon, and some of the sexual “scenes” were a little uncomfortable, some just plain horrible. I say “scenes” as most of the sexual content involved assault and/or rape, and when I say horrible, I’m not meaning it was badly written, rather it was terrible thing. After reading one particularly horrific rape scene in which a 18 year old girl is gang raped by 3 boys, I stopped and thought to myself, why am I reading this, this is morally horrible. But, really, it’s probably the first thing that has truly made me feel horror in a long time, definitely the first to make me feel as gutted and desolate towards humanity as this did. So perhaps it served purpose, it managed to horrify me, which is the goal of a horror novel. It did not glorify the assault, and the way the victim dealt with it added to the character development and to the story as a whole. This can be said of all the scenes of a sexual nature, for this was not the only assault.


What was a little strange, I found, was the inclusion of sexuality at inapt moments throughout the book, it really took me by surprise the first time. The first time being just 4 pages in mind you, as one of the female characters take a simple stretch and we are treated to an insight to her inner fantasies of having a man’s hands on her breasts and nipples. It really is a, “wait, what!?” moment. But they can be pass off as simple quirks in the writing, I guess. Similarly, the over the top reactions of some of the characters, and how quickly they can turn into psychotic killers themselves could be seen as over the top, but then again how would somebody react in the situation I suppose. In the end the graphic sexual content, or violence as it is really, isn’t overly done, just the right amount, if there is such a thing. There is plenty that goes on, or is alluded too, throughout the story (the bizarre unexpected ending among plenty of others) that is not fully explained. The who, what or how of a lot of things is left a mystery, not sure if this is deliberate, but it does create an atmosphere of uncertainty and craziness. It let’s you get lost in the unbelievability of the story, and you really don’t notice it unless you start to knit pick.


For my first Richard Laymon read I have to say I’m not blow out of the park, but I’m not disappointed either. It was a short interesting story, well written, with enough uniqueness to make me want more. I have read that this is known as one of Laymon’s, if not the, worst book he had written. If this is the case, then I have a lot to look forward to.

Harry Potter and the Cursed Child: Part 1 and Part 2 – The Screenplay Script

Harry Potter and the Cursed Child: 
Part 1 and Part 2 – The Screenplay Script

I need to get something off my chest, there’s something you really need to know, full disclosure. The Cursed Child is the first harry potter book I have ever read. Now that fact may shock some people, I may lose a little respect and my opinion might not be considered worthy, by some. But I am going to attempt to give it anyway, think of it what you will. One way to look at it is this, the fact that this is my first HP reading, the fact I have not read anything from J.K. Rowling means I am both unconnected to her writing and to the written world of HP, so my review could be seen as unbiased. I know that this isn’t written by J.K. Rowling, so some say I wouldn’t be able to compare to the original HP series anyway; but as this is a screenplay script, well, I think we can say that writing style is out of the equation. Why haven’t I ever read a HP book? Why is this my first? Well, the books were all released during my “reading hiatus”, the period of my life (pretty much from end of school to now, about 20 years) where I just didn’t read a thing, so I guess I just missed them. I’m changing this now as my literary renaissance has begun, but for now this is the first I have read as I am off to see the stage show in Melbourne in a few months’ time and thought it would be good to know a little of the story first. So that’s me and my HP ignorance out of the way, let me give you my thoughts on this book.

On the back of saying I have never read a HP book up until now, I’m going to say this, I am still a massive HP fan! As far as the none reading HP fan can be, I guess. Loved all the movies, loved the story and the characters, loved the setting, loved the adventure, loved Hogwarts, loved the entire wizarding world… just loved it. So, as most fans would have done, I was excited when I read that this story was coming. What would it be? Where would the story go? I spent many a moment letting my mind wander, exploring the possibilities of what could be. Knowing of the conclusion to the Deathly Hallows, with the final scenes of Harry, Hermione, Ron and Ginny seeing their children off to Hogwarts, I rightly expected The Cursed Child to involve these same children in a possible “next generation” situation. I wondered how they would compare to the original gang and would they be able to carry on the tradition, would the legacy be tarnished by this attempt to continue the story? Well, as it turns out, I didn’t really have to worry about any of those things, and this is both a relief and a disappointment.

Yes, the children of the original HP gang are involved, and you could say that 2 of them actually play central rolls seeing they are the cause of the trouble the story is premised on. But at no point did I actually feel like they were about to break out and turn the story on it head, pull their wands out and lead us into a spell casting magic fight the likes of which will sweep us up onto a broom and into the next generation of young wizarding adventures. In fact, at times it seemed like they were playing at being “Timmy down a well” and their misadventures were just a plant, an excuse for the “old gang to get back together one last time”. This did not feel like a new story, it did not feel like a steppingstone between the old guard and the new, it felt like a HP version of a reunion special. The new characters, the children of the “old gang” are quite simply useless. The relationship between Harry and his son is developed a lot, and I think an attempt has been made to, for want of a better word, blood the new characters into the series, but in the end without the originals being wheeled out it would have fallen flat. So, I’m saying the new characters are weak, but the old characters carry it through the story, or do they? As the story isn’t the best either.

Without spoilers or divulging too much of the plot, there is a time turner involved, allowing time travel. This is both the saving grace of the story as well as one of its faults. Time travel allows the characters to return to previously used scenes and situations in the HP timeline, one of the more interesting aspects as this creates some Back to The Future type moments of trying to avoid interaction with themselves. What this also creates is the terrible feeling that you are being served up a rerun special, the type sitcom writers would produce every now and again, where you end up watching (or in this case reading and experiencing) previous episodes through flashbacks. The story flowed through these points and it worked well, but you couldn’t help but feel it was a little cheap, a little unimaginative. What this lack of imagination did, however, was let you build the atmosphere from memories of the previous stories as you, the reader, had been there before. By the time I got through these scenes, my appreciation of the story had grown, but then I realised the book hadn’t done anything but relive an old story and I had created the feelings and the atmosphere myself. This was good, although I think it was a happy coincidence.

It must be said that by two thirds of the way through I managed to see past these flaws, and the final twist the story gives is acceptable. While I’m not totally blown away as it does have some serious let downs, it does have some interesting points. I said earlier that this was my first, that I had not read a HP book before. Well I still feel like I haven’t read a HP book, this is more like a spin off or, as I said before, a reunion episode. I look forward now to reading some real Harry Potter.